PDF Ebook Nobody Knows My Name, by James Baldwin
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Nobody Knows My Name, by James Baldwin
PDF Ebook Nobody Knows My Name, by James Baldwin
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Told with Baldwin's characteristically unflinching honesty, this collection of illuminating, deeply felt essays examines topics ranging from race relations in the United States to the role of the writer in society, and offers personal accounts of Richard Wright, Norman Mailer and other writers.
- Sales Rank: #26749 in Books
- Published on: 1992-12-01
- Released on: 1992-12-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .60" w x 5.30" l, .46 pounds
- Binding: Paperback
- 256 pages
Review
"A passionate, probing, controversial book which is outstandingly well written."--The Atlantic
From the Publisher
"A passionate, probing, controversial book which is outstandingly well written."--The Atlantic
From the Inside Flap
Told with Baldwin's characteristically unflinching honesty, this collection of illuminating, deeply felt essays examines topics ranging from race relations in the United States to the role of the writer in society, and offers personal accounts of Richard Wright, Norman Mailer and other writers.
Most helpful customer reviews
0 of 0 people found the following review helpful.
A wonderful book. You can see the deep impact of ...
By Faye Belle
A wonderful book. You can see the deep impact of a religious upbringing on a life through the characters in this book. I loved it.
27 of 28 people found the following review helpful.
More Notes of a Native Son
By D. Cloyce Smith
Bearing the subtitle "More Notes of a Native Son," "Nobody Knows My Name" is a follow-up to Baldwin's earlier, more famous book. Originally published in national magazines between 1954 and 1961, these essays are more mature, if less biting, than his first collection--and they are certainly just as witty. With one notable exception, they are timeless and trenchant commentaries on racial and cultural issues.
The first group of eight essays focuses on the political and social divides in the United States. The opening article reiterates the discovery he made in "Notes of a Native Son": that by living in Europe he paradoxically discovered what it means to be an American. Others examine the despicable inhumanity of a Harlem public housing project ("cheerless as a prison"), the success of the student movement and the rise of Muslim power in black politics ("a very small echo of the black discontent now abroad in the world"), and the first efforts to integrate Southern public schools ("the entire nation has spent a hundred years avoiding the question of the place of the black man in it"). The two most memorable essays detail the daily bravery, trauma, and humiliations of a schoolboy who is the first black in an all-white school and respond to Faulkner's despicable remarks on race (which were made when Faulkner was seemingly drunk and which were later repudiated when he was atypically sober).
The only disappointing essay is "Princes and Power," an account of Le Congres des Ecrivains et Artistes Noirs (Conference of Negro-African Writers and Artists). The internal disputes and lofty goals of this gathering--convened to consider "the history of Euro-African relations" and the postcolonial "cultural inventory"--did not lack for interest, and Baldwin ably relates the tensions between and cross-purposes of American blacks and Africans. But, overall, he seems to be just phoning it in, muffling the obvious passions of the conference participants and highlighting instead the abstract academic tone.
The second and final group of five essays highlight cultural subjects. He follows a speech detailing the outline for an imaginary novel with biographical appraisals of Andre Gide, Ingmar Bergman, Richard Wright, and Normal Mailer. His eulogy for Wright, initially composed and published in three disparate parts, simultaneously expresses regret for Baldwin's youthful criticism of the older author that resulted in the irreparable destruction of their friendship and recounts Wright's sad social decline: "he had managed to estrange himself from almost all of the younger American Negro writers in Paris ... [who] had discovered that Richard did not really know much about the present dimensions and complexity of the Negro problem here, and, profoundly, did not want to know."
But the gem of the collection is "The Black Boy Looks at the White Boy," Baldwin's tongue-in-cheek account of his friendship with Normal Mailer, written both as not-so-subtle payback for Mailer's criticism of Baldwin in the self-indulgent "Advertisements for Myself" and as a tribute to Mailer's talent and "responsibility" as an artist. After sending off a number of barbed (yet good-natured) repartees, Baldwin acknowledges not only Mailer's importance as a "very good friend" but also his worth as a writer. Baldwin's assessment of that career serves at as fitting coda to Baldwin's own essays: "His work, after all, is all that will be left when the newspapers are yellowed, all the gossip columnists silenced, and all the cocktail parties over, and when Norman and you and I are dead."
0 of 0 people found the following review helpful.
True Baldwin.
By S. Charles
Fascinating and still relevant.
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